{"id":19,"date":"2014-12-29T13:58:42","date_gmt":"2014-12-29T13:58:42","guid":{"rendered":"http:\/\/hajioh.com\/?page_id=19"},"modified":"2025-11-16T11:02:49","modified_gmt":"2025-11-16T11:02:49","slug":"bio-2","status":"publish","type":"page","link":"http:\/\/hajioh.com\/?page_id=19","title":{"rendered":"CV"},"content":{"rendered":"\n

<\/p>\n\n\n\n\n\n

\n\t

\uff1c\u65e5\u672c\u8a9e\u306f\u4e0b\u3078\uff1e<\/span><\/p>\n


BIOGRAPHY<\/strong><\/span><\/p>\n

Born in Japan, have lived in Australia since 2014, \u00a0South Korean nationality<\/span><\/p>\n

Oh is represented by THIS IS NO FANTASY, Melbourne<\/span><\/p>\n

EDUCATION<\/strong><\/span><\/p>\n

Ph.D. in Fine Arts, Kyoto City University of Arts<\/strong>, Kyoto, Japan, April 2012<\/span><\/p>\n

M.A.in Fine Arts, Kyoto City University of Art, <\/strong>Kyoto, Japan, March 2002\u3000<\/span><\/p>\n

Major: Dyeing and Weaving<\/span><\/p>\n

B.A.in Fine Arts, Kyoto City University of Art, <\/strong>Kyoto, Japan, March 2000\u3000<\/span><\/p>\n

Major: Dyeing and Weaving<\/span><\/p>\n

AWARDS<\/strong><\/span><\/p>\n

Tokyo Contemporary Art Award 2024-2026 winner, Tokyo<\/span><\/p>\n

ANTEPRIMA X CHAT Contemporary Textile Art Prize finalist, 2024, Hong Kong<\/span><\/p>\n

EXHIBITIONS \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/strong><\/span><\/p>\n

Solo exhibition<\/strong><\/span><\/p>\n

2024 “Grand-Mother Island Project: Chapter-1 Nautical Map”, Linden New Art Project Space, Melbourne, Australia<\/span><\/p>\n

2024 “Grand-Mother Island Project: Chapter-1 Nautical Map”, THIS IS NO FANTASY, Melbourne, Australia<\/span><\/p>\n

2024 “Un\/Weaving”, Alison Bradley Projects, New York, USA<\/span><\/p>\n

2019 \u201cMemories in Weaving\u201d, Kurumaya Museum of Art, Oyama City, Tochigi, Japan<\/span><\/p>\n

2017 \u201c-imaginary landscape- grandmother island, chapter-1\u201d MATSUO MEGUMI+VOICE GALLERY pfs\/w, Kyoto, Japan<\/span><\/p>\n

2015 “Wearing Memory”, TAEM Gallery, University of Wollongong, Australia<\/span><\/p>\n

2014 \u201cWearing Memory\u201d, Koganei Art Spot Chateau 2F, Tokyo, Japan<\/span><\/p>\n

2013 OH haji\u00d7Aomori City Archives \u201cGestures in Clothing\u201d, Aomori Contemporary Art Centre, Japan<\/span><\/p>\n

2010 “Dwelling of Memory”, Shibakawa building, Osaka, Japan<\/span><\/p>\n

2008 \u201cSlipping through the texture \u2013 the moment of silence \u2013 From the journey in the Philippines.\u201d, Voice \u00a0Gallery pfs\/w, Kyoto, Japan<\/span><\/p>\n

2006 \u201cMemory.\u201d, Voice Gallery pfs\/w, Kyoto<\/span><\/p>\n

2001 \u201cRoots.\u201d Voice Gallery, Kyoto<\/span><\/p>\n

Group exhibition<\/strong><\/span><\/p>\n

2025 “TOP 30th Anniversary, Contemporary Japanese Photography vol.22”, Tokyo Photographic Art Museum, Japan<\/span><\/p>\n

2025 “And Still I Rise”, Art Gallery of New South Wales, Sydney NSW, Australia<\/span><\/p>\n

2025 “Connections”, Wollongong Art Gallery, NSW, Australia<\/span><\/p>\n

2024-2025 Asia Pacific Triennial 11, Queensland Art Gallery|Gallery of Modern Art, Australia<\/span><\/p>\n

2024-2025 ANTEPRIMA X CHAT Contemporary Textile Art Prize 2024 finalist exhibition, Hong Kong<\/span><\/p>\n

2023 “KANTEN \u89b3\u5c55\uff1aThe Limits of History”, apexart, New York, USA\u00a0<\/span><\/p>\n

2023 \u201cTexture\u201d, Canberra Contemporary Art Space, Canberra, Australia<\/span><\/p>\n

2022-2023 “Roppongi Crossing 2022: Coming & Going”, Mori Art Museum, Tokyo, Japan<\/span><\/p>\n

2022 “Nuno no Tsubasa<\/em>“, Some-Seoryukan, Kyoto, Japan\u00a0<\/span><\/p>\n

2022 “Gesture in Chima Chogori”, MATSUO MEGUMI+VOICE GALLERYpfs\/w, Kyoto, Japan<\/span><\/p>\n

2021 “Emerging from Samples of Cloth”, MATSUO MEGUMI+VOICE GALLERYpfs\/w, Kyoto, Japan\u3000\u3000<\/span><\/p>\n

2020 “Grandmother’s Life, Tracing the Passage of Memories”, Koganei Art Spot Chateau 2F, Tokyo, Japan<\/span><\/p>\n

2019-2020 “Publicness of the Art Center”, Art Tower of Mito, Japan\u00a0<\/span><\/p>\n

2018 “Altering Home”, Culture City of East Asia 2018 Kanazawa, Japan<\/span><\/p>\n

2017-2018 “Binding threads\/expanding threads \u00a0The art of creating “Between-ness”, Hiroshima City Museum of Contemporary Art, Japan<\/span><\/p>\n

2017 “Everyday Life -Sighs on Awareness”, 21st<\/sup> Century Museum of Contemporary Art, Kanazawa, Ishikawa, Japan<\/span><\/p>\n

2017 “Shadow Worlds”,\u00a0TAEM Gallery, University of Wollongong, Australia<\/span><\/p>\n

2016 “Craft of Korean Peninsula, POJAGI as a portrait-with Haji Oh’s photograph works”, Kurumaya Museum of Art, Oyama City, Tochigi, Japan<\/span><\/p>\n

2014 Busan Biennale Special exhibition: \u201c Going, Going, until I Meet the Tide\u201d, Kiswire\u00a0Factory, Korea<\/span><\/p>\n

2014 Breaker Project \u201cex-pots 2011-2013\u201d, enoco and Kioku Shugei-kan Tansu, Osaka<\/span><\/p>\n

2012 \u201cVOCA – Vision of Contemporary Art 2012\u201d, The Ueno Royal Museum, Tokyo<\/span><\/p>\n

2011\u201d Inner Voices, 21st<\/sup> Century Museum of Contemporary Art, Kanazawa, Ishikawa, Japan<\/span><\/p>\n

2010 \u201cWe love books! International Book Art Picnic, Nakanoshima Library, Osaka, Japan<\/span><\/p>\n

2009 \u201cHOME\u201d Group exhibition, Aomori Contemporary Art Centre, Aomori, Japan<\/span><\/p>\n

2009 “TEXTILE MEETING\u201909”, Kyoto, Japan<\/span><\/p>\n

2009 \u201cWinter Energy\u201d Group exhibition, Lennox Contemporary, Toronto, Canada<\/span><\/p>\n

2008 \u201cHIROSHIMA ART DOCUMENT 2008\u201d Group exhibition, The former Bank of Japan Hiroshima branch, atom-bombed construction, Hiroshima, Japan<\/span><\/p>\n

2007 “Young Artist Selective Exhibition”, The Museum of Kyoto, Kyoto, Japan.<\/span><\/p>\n

2006 “NIPPON vs. FINE ART -Striving for Identity in the Context of Western Art, Osaka City Museum of Modern Art”, Shinsaibashi Temporary Exhibition Space, Osaka, Japan.<\/span><\/p>\n

2006 \u201c\u221aroots.\u201d Group exhibition, Ho-nen in Temple, Kyoto, Japan.<\/span><\/p>\n

2005 \u201cZone-poetic moment.\u201d Tokyo Wonder Site, Tokyo, Japan.<\/span><\/p>\n

2005 \u201cArt in Transit.\u201d Palace Side Hotel, Kyoto, Japan.<\/span><\/p>\n

2005 \u201cmultiplex!\u201d Multiple market, Voice Gallery, Kyoto, Japan.<\/span><\/p>\n

2005 \u201cOrientity.\u201d Group exhibition, Hong Kong.<\/span><\/p>\n

2004 \u201cSomething lost.\u201d Group exhibition, Mori yu gallery, Kyoto, Japan.<\/span><\/p>\n

2004 \u201cK-identity.\u201d Group exhibition, Mori yu gallery, Kyoto, Japan.<\/span><\/p>\n

2004 \u201cOrientity.\u201d Group Exhibition, Kyoto Art Center, Kyoto, Japan.<\/span><\/p>\n

2003 \u201cWhat I can or cannot recollect.\u201d Group exhibition, Gallery 16, Kyoto, Japan.<\/span><\/p>\n

2003 Korea Japan Culture Center, Group exhibition, Korea.<\/span><\/p>\n

2002 \u201cseveral situations.\u201d Kyoto style Lab, 02 exhibition, Kyoto Art Center, Kyoto, Japan<\/span><\/p>\n

VISITING SCHOLAR<\/strong><\/span><\/p>\n

York University, York Center for Asian Research, Toronto, Canada, September 2008-August 2009\u00a0<\/em><\/strong><\/span><\/p>\n

ARTIST IN RESIDENCE<\/strong><\/span><\/p>\n

Gapado Artist in Residence, Jeju, Korea, April-June, 2025<\/span><\/p>\n

Bundanon, Australia, May, 2022<\/span><\/p>\n

Art Tower of Mito, Japan, April-May, 2019<\/span><\/p>\n

University of Wollongong, Australia, June-August, 2015<\/span><\/p>\n

Aomori Contemporary Art Centre,\u00a0 Japan, 2009 Autumn<\/span><\/p>\n

RESEARCH<\/strong><\/span><\/p>\n

Textiles of Andes Archives, research, Kyoto City University of Arts, Japan, 2012-2014\u00a0<\/span><\/p>\n

Kogin\/Sashiko Archives, research, Aomori City Archives, Japan, 2012-2013<\/span><\/p>\n

kioku shugei-kan TANSU (community space for women) operation, Osaka, Japan, 2012-2014<\/span><\/p>\n

Guatemalan backstrap loom weaving technique, Japan, 2009-2014<\/span><\/p>\n

Ikat Archives, research\/internship, Textile Museum of Canada, Toronto, March-July 2009<\/span><\/p>\n

Korean traditional costume restoration class, National Fork Museum, Seoul, Korea, 2002-2004<\/span><\/p>\n

GRANT<\/strong><\/span><\/p>\n

HAN CHANG-WOO-TETSU CULTURAL FOUNDATION grant, 2011<\/span><\/p>\n

The Korean Scholarship Foundation, grant, 2007-2010<\/span>\u00a0 \u00a0<\/span> <\/span><\/p>\n

<\/p>\n<\/div>\n<\/div>\n\n\n

\n\n\n
\n
\n\t

[<\/strong>\u5b66\u6b74]<\/strong><\/span><\/p>\n

2012 \u4eac\u90fd\u5e02\u7acb\u82b8\u8853\u5927\u5b66\u7f8e\u8853\u7814\u7a76\u79d1\u535a\u58eb\u8ab2\u7a0b \u7814\u7a76\u9818\u57df\u67d3\u7e54 \u535a\u58eb\uff08\u7f8e\u8853\uff09<\/span><\/p>\n

2002 \u4eac\u90fd\u5e02\u82b8\u8853\u5927\u5b66\u7f8e\u8853\u7814\u7a76\u79d1\u4fee\u58eb\u8ab2\u7a0b\u4fee\u4e86<\/span><\/p>\n

2000 \u4eac\u90fd\u5e02\u7acb\u82b8\u8853\u5927\u5b66\u7f8e\u8853\u5b66\u90e8\u5de5\u82b8\u5c02\u653b\u67d3\u7e54\u5352\u696d<\/span><\/p>\n

[<\/strong>\u5c55\u89a7\u4f1a\u6b74]<\/strong><\/span><\/p>\n

\u500b\u5c55<\/strong><\/span><\/p>\n

2024 \u300cGrand-Mother Island Project: Chapter1-Nautical Map\u300d(Linden New Art\u3001\u30e1\u30eb\u30dc\u30eb\u30f3\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2)<\/span><\/p>\n

2024\u300cGrand-Mother Island Project: Chapter1-Nautical Map\u300d(THIS IS NO FANTASY\u3001\u30e1\u30eb\u30dc\u30eb\u30f3\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2)<\/span> \u3000<\/span><\/p>\n

2024\u300cUn\/Weaving\u300d(Alison Bradley Projects, New York, \u30a2\u30e1\u30ea\u30ab\u5408\u8846\u56fd\uff09<\/span><\/p>\n

2019 \u300c\u624b\u306b\u305f\u304f\u3059\u3001\u7cf8\u3078\u305f\u304f\u3059\u300d(\u5c0f\u5c71\u5e02\u8eca\u5c4b\u7f8e\u8853\u9928\u3001\u6803\u6728)<\/span><\/p>\n

2017 \u300c\u2014\u4eee\u60f3\u306e\u5cf6\u2014 grandmother island\u300d\uff08MATSUO MEGUMI+VOICE GALLERY pfs\/w\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

2015 \u300cWearing Memory\u300d\uff08TEAM Gallery, \u30a6\u30ed\u30f3\u30b4\u30f3\u5927\u5b66\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2)<\/span><\/p>\n

2014 \u300c\u8a18\u61b6\u3092\u307e\u3068\u3046\u300d\uff08\u5c0f\u91d1\u4e95\u30a2\u30fc\u30c8\u30b9\u30dd\u30c3\u30c8\u30b7\u30e3\u30c8\u30fc2F\u3001\u6771\u4eac\uff09<\/span><\/p>\n

2013 \u300c\u5449\u590f\u679d\u00d7\u9752\u68ee\u5e02\u6240\u8535\u4f5c\u54c1\u5c55\u300e\u91dd\u3005\u3068\u3001\u305f\u3093\u305f\u3093\u3068\u300f\u300d\uff08\u56fd\u969b\u82b8\u8853\u30bb\u30f3\u30bf\u30fc\u9752\u68ee\u3001\u9752\u68ee\uff09<\/span><\/p>\n

2010 \u300c\u8a18\u61b6\u306e\u68f2\u6bbb\uff08\u30b9\u30df\u30ab\uff09\u300d\uff08\u829d\u5ddd\u30d3\u30eb\u3001\u5927\u962a\uff09<\/span><\/p>\n

2008 \u300c\u7e54\u76ee\u3092\u3059\u308a\u306c\u3051\u3066\u3044\u304f\u3082\u306e\u2015\u6c88\u9ed9\u306e\u6642\u2014\u30d5\u30a3\u30ea\u30d4\u30f3\u3067\u306e\u65c5\u304b\u3089\u300d\uff08voice\u30ae\u30e3\u30e9\u30ea\u30fcpfs\uff0fw\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

2006 \u300c\u8a18\u61b6\u300d\uff08voice\u30ae\u30e3\u30e9\u30ea\u30fcpfs\uff0fw\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

2001 \u300croots\u300d\uff08voice\u30ae\u30e3\u30e9\u30ea\u30fcpfs\uff0fw\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

 <\/p>\n

\u30b0\u30eb\u30fc\u30d7\u5c55<\/strong><\/span><\/p>\n

2025 \u300cAnd Still I Rise\u300d\uff08Art Gallery of New South Wales\u3001\u30cb\u30e5\u30fc\u30b5\u30a6\u30b9\u30a6\u30a7\u30fc\u30eb\u30ba\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\uff09<\/span><\/p>\n

2025 \u300c\u7dcf\u5408\u4f1a\u992830\u5468\u5e74\u8a18\u5ff5\u3000\u9060\u3044\u7a93\u3078\u3000\u65e5\u672c\u306e\u65b0\u9032\u4f5c\u5bb6vol.20\u300d\uff08\u6771\u4eac\u90fd\u5199\u771f\u7f8e\u8853\u9928\u3001\u6771\u4eac\uff09<\/span><\/p>\n

2025 \u300cConnections\u300d\uff08Art Gallery of Wollongong\u3001\u30cb\u30e5\u30fc\u30b5\u30a6\u30b9\u30a6\u30a7\u30fc\u30eb\u30ba\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\uff09<\/span><\/p>\n

2024-2025 \u300c\u30a2\u30b8\u30a2\u30fb\u30d1\u30b7\u30d5\u30a3\u30c3\u30af\u30fb\u30c8\u30ea\u30a8\u30f3\u30ca\u30fc\u30ec11\u300d\uff08Queensland Art Gallery | Gallery of Modern Art\u3001\u30af\u30a3\u30fc\u30f3\u30ba\u30e9\u30f3\u30c9\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\uff09<\/span><\/p>\n

2024-2025 \u300cANTEPRIMA x CHAT Contemporary Textile Art Prize 2024\u300d finalist \u5c55\uff08Center for Heritage Art & Textile\u3001\u9999\u6e2f\uff09<\/span><\/p>\n

2024\u300cGrand-Mother Island Project: Chapter1-Nautical Map\u300d(THIS IS NO FANTASY\u3001\u30e1\u30eb\u30dc\u30eb\u30f3\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2)<\/span><\/p>\n

2023\u300cKANTEN\u89b3\u5c55: The Limits of History\u300d\uff08Apexart\u3001\u30cb\u30e5\u30fc\u30e8\u30fc\u30af\u3001\u30a2\u30e1\u30ea\u30ab\u5408\u8846\u56fd\uff09<\/span><\/p>\n

\u3000\u3000\u300cTexture\u300d(Canberra Contemporary Art Space\u3001\u30ad\u30e3\u30f3\u30d9\u30e9\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2)<\/span><\/p>\n

2022-2023\u300c\u516d\u672c\u6728\u30af\u30ed\u30c3\u30b7\u30f3\u30b02022: \u5f80\u6765\u30aa\u30fc\u30e9\u30a4\u300d\uff08\u68ee\u7f8e\u8853\u9928\u3001\u6771\u4eac\uff09<\/span><\/p>\n

2022\u300c\u5e03\u306e\u7ffc\u300d\uff08\u67d3\u30fb\u6e05\u6d41\u9928\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

\u3000\u3000\u300c\u304a\u3070\u3042\u3055\u3093\u306e\u304f\u3089\u3057\u3000\u8a18\u61b6\u306e\u6c34\u8108\u3092\u305f\u3069\u308b\u300d\uff08\u5c0f\u91d1\u4e95\u30a2\u30fc\u30c8\u30b9\u30dd\u30c3\u30c8\u30b7\u30e3\u30c8\u30fc\uff12F\u3001\u6771\u4eac\uff09<\/span><\/p>\n

2019-2020\u300c\u5c55\u793a\u3068\u5bfe\u8a71\u306e\u30d7\u30ed\u30b0\u30e9\u30e0 \u30a2\u30fc\u30c8\u30bb\u30f3\u30bf\u30fc\u3092\u3072\u3089\u304f\u300d(\u6c34\u6238\u82b8\u8853\u9928\u3001\u8328\u57ce)<\/span><\/p>\n

2018\u300c\u6771\u30a2\u30b8\u30a2\u6587\u5316\u90fd\u5e022018\u91d1\u6ca2\u300e\u5909\u5bb9\u3059\u308b\u5bb6\u300f\u300d(\u91d1\u6ca2\u5e02\u5185\u3001\u77f3\u5ddd)<\/span><\/p>\n

2017-2018\u300c\u4ea4\u308f\u308b\u3044\u3068-\u300e\u3042\u3044\u3060\u300f\u3092\u3072\u3089\u304f\u8853\u3068\u3057\u3066\u300d\uff08\u5e83\u5cf6\u5e02\u73fe\u4ee3\u7f8e\u8853\u9928\u3001\u5e83\u5cf6\uff09<\/span><\/p>\n

2017\u300c\u65e5\u3005\u306e\u751f\u6d3b-\u6c17\u3065\u304d\u306e\u3057\u308b\u3057\u300d\uff08\u91d1\u6ca221\u4e16\u7d00\u7f8e\u8853\u9928\u3001\u77f3\u5ddd\uff09<\/span><\/p>\n

2016\u300c\u671d\u9bae\u534a\u5cf6\u306e\u6c11\u8846\u7684\u5de5\u82b8\u3000POJAGI as a portrait\u00a0 \u5449\u590f\u679d\u306e\u5199\u771f\u4f5c\u54c1\u3068\u3082\u306b\u300d\uff08\u5c0f\u5c71\u5e02\u8eca\u5c4b\u7f8e\u8853\u9928\u3001\u6803\u6728\uff09<\/span><\/p>\n

2014 \u91dc\u5c71\u30d3\u30a8\u30f3\u30ca\u30fc\u30ec\u7279\u5225\u5c55\u300cGoing Going until I Meet the Tide\u300d\uff08Kiswire Factory\u3001\u97d3\u56fd\uff09<\/span><\/p>\n

\u3000\u3000\u3000Breaker Project\u300cex\u30fbpots2011-2013\u300d\u5c55\uff08\u6c5f\u4e4b\u5b50\u5cf6\u6587\u5316\u82b8\u8853\u5275\u9020\u30bb\u30f3\u30bf\u30fc\u3001kioku\u624b\u82b8\u9928\u305f\u3093\u3059\u3001\u5927\u962a\uff09<\/span><\/p>\n

2012\u300cVOCA\u300d\u5c55(\u4e0a\u91ce\u306e\u68ee\u7f8e\u8853\u9928\u3001\u6771\u4eac)<\/span><\/p>\n

2011\u300cInner Voices\u2014\u5185\u306a\u308b\u58f0-\u300d\uff08\u91d1\u6ca221\u4e16\u7d00\u7f8e\u8853\u9928\u3001\u77f3\u5ddd\uff09<\/span><\/p>\n

2010\u300c\u3084\u3063\u3071\u308a\u672c\u304c\u597d\u304d\uff01\u300d\u56fd\u969b\u30d6\u30c3\u30af\u30fb\u30a2\u30fc\u30c8\u30fb\u30d4\u30af\u30cb\u30c3\u30af\uff08\u4e2d\u4e4b\u5cf6\u56f3\u66f8\u9928\u3001\u5927\u962a\uff09<\/span><\/p>\n

2009\u300cWinter Energy\u300d(Lennox Contemporary\u3001\u30c8\u30ed\u30f3\u30c8\u3001\u30ab\u30ca\u30c0)<\/span><\/p>\n

\u3000\u3000\u300cTEXTILE MEETING\u201909(\u5143\u30fb\u7acb\u8aa0\u5c0f\u5b66\u6821\u3001\u4eac\u90fd)<\/span><\/p>\n

\u3000\u3000\u300cHOME\u300d\uff08\u56fd\u969b\u82b8\u8853\u30bb\u30f3\u30bf\u30fc\u9752\u68ee\u3001\u9752\u68ee\uff09<\/span><\/p>\n

2008\u300cHIROSHIMA ART DOCUMENT 2008\u300d(\u65e7\u65e5\u672c\u9280\u884c\u5e83\u5cf6\u652f\u5e97\u3000\u88ab\u7206\u5efa\u9020\u7269\u3001\u5e83\u5cf6)<\/span><\/p>\n

2007\u300c\u4eac\u90fd\u5e9c\u7f8e\u8853\u5de5\u82b8\u65b0\u92ed\u9078\u629c\u5c55\u301c\u65b0\u3057\u3044\u6ce22007\uff0f\u7f8e\u8853\u90e8\u9580\u300d\uff08\u4eac\u90fd\u6587\u5316\u535a\u7269\u9928\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

2006\u300c\u221aroots\u2212\u308f\u305f\u3057\u306e\u4e2d\u306e\u65e5\u672c\u7684\u306a\u308b\u3082\u306e\u2212\u300d\uff08\u6cd5\u7136\u9662\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u300c\u30cb\u30c3\u30dd\u30f3vs\u7f8e\u8853\u2014\u8fd1\u4ee3\u65e5\u672c\u753b\u3068\u73fe\u4ee3\u7f8e\u8853\uff1a\u5927\u89b3\u30fb\u6816\u9cf3\u304b\u3089\u6751\u4e0a\u9686\u307e\u3067\u300d\uff08\u5927\u962a\u5e02\u7acb\u8fd1\u4ee3\u7f8e\u8853\u9928\uff08\u4eee\u79f0\uff09\u5fc3\u658e\u6a4b\u5c55\u793a\u5ba4\u3001\u5927\u962a\uff09<\/span><\/p>\n

2005\u300c\u30aa\u30ea\u30a8\u30f3\u30c6\u30a3\u30c6\u30a3\u30fc\u300d\u5c55\u3000\u9999\u6e2f\u5de1\u56de\u5c55\uff08\u9999\u6e2f\u30d5\u30ea\u30f3\u30b8\u30af\u30e9\u30d6\u3001\u9999\u6e2f\uff09<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u300cZONE-poetic moment-\u300d(\u30c8\u30fc\u30ad\u30e7\u30fc\u30ef\u30f3\u30c0\u30fc\u30b5\u30a4\u30c8\u3001\u6771\u4eac)<\/span><\/p>\n

2004\u300c\u30aa\u30ea\u30a8\u30f3\u30c6\u30a3\u30c6\u30a3\u30fc\u300d\u30b3\u30ea\u30a2\u30f3\u7cfb\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u5c55\uff08\u4eac\u90fd\u82b8\u8853\u30bb\u30f3\u30bf\u30fc\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

2002\u300c\u4eac\u90fd\u82b8\u8853\u30bb\u30f3\u30bf\u30fc\u4f01\u753b\u5c55\u89a7\u4f1aKYOTO STYLE LAB.2 [several situations]\u300d\uff08\u4eac\u90fd\u82b8\u8853\u30bb\u30f3\u30bf\u30fc\u3001\u4eac\u90fd\uff09<\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

[<\/strong>\u53d7\u8cde\u6b74]<\/strong><\/span><\/p>\n

2024 Tokyo Contemporary Art Award 2024-2026<\/span><\/p>\n

2012 \u516c\u76ca\u8ca1\u56e3\u6cd5\u4eba\u97d3\u660c\u7950\u30fb\u54f2\u6587\u5316\u8ca1\u56e3\u3000\u5e73\u621023\u5e74\u5ea6\u5968\u5b66\u751f<\/span><\/p>\n

2007-2010 \u8ca1\u56e3\u6cd5\u4eba\u671d\u9bae\u5968\u5b66\u4f1a\u3000\u5968\u5b66\u751f<\/span><\/p>\n

2007 \u4eac\u90fd\u5e9c\u7f8e\u8853\u5de5\u82b8\u65b0\u92ed\u9078\u629c\u5c55\u2014\u65b0\u3057\u3044\u6ce22007 \u5be9\u67fb\u54e1\u63a8\u5968\u4f5c\u54c1\uff08\u7be0\u539f\u8cc7\u660e\u6c0f\u63a8\u85a6\uff09<\/span><\/p>\n

2002 \u4eac\u90fd\u5e02\u7acb\u82b8\u8853\u5927\u5b66\u5352\u696d\u5236\u4f5c\u5c55\u3000\u5968\u52b1\u8cde<\/span><\/p>\n

2000\u4eac\u90fd\u5e02\u7acb\u82b8\u8853\u5927\u5b66\u5352\u696d\u5236\u4f5c\u5c55\u3000\u5c0f\u5408\u8cde<\/span><\/p>\n

 <\/p>\n

[<\/strong>\u5ba2\u54e1\u7814\u7a76\u54e1]<\/strong><\/span><\/p>\n

2008-09 \u30e8\u30fc\u30af\u5927\u5b66\u3000\u30a2\u30b8\u30a2\u30ea\u30b5\u30fc\u30c1\u30bb\u30f3\u30bf\u30fc\u3001\u30c8\u30ed\u30f3\u30c8\u3001\u30ab\u30ca\u30c0<\/span><\/p>\n

 <\/p>\n

[<\/strong>\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u30fb\u30a4\u30f3\u30fb\u30ec\u30b8\u30c7\u30f3\u30b9]<\/strong><\/span><\/p>\n

2025\u5e744-6\u6708 \u52a0\u6ce2\u5cf6AIR\u3001\u6e08\u5dde\u9053\u3001\u97d3\u56fd<\/span><\/p>\n

2022\u5e745\u6708 \u30d0\u30f3\u30c0\u30ce\u30f3\u3001NSW\u5dde\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2<\/span><\/p>\n

2019\u5e744\u6708-5\u6708 \u6c34\u6238\u82b8\u8853\u9928\u300c\u30a2\u30fc\u30c8\u30bb\u30f3\u30bf\u30fc\u3092\u3072\u3089\u304f\u7b2c\u4e00\u671f\u300d<\/span><\/p>\n

2015\u5e746\u6708-8\u6708 \u30a6\u30ed\u30f3\u30b4\u30f3\u5927\u5b66\u3001NSW\u5dde\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2<\/span><\/p>\n

2009\u5e749\u6708-12\u6708 \u56fd\u969b\u82b8\u8853\u30bb\u30f3\u30bf\u30fc\u9752\u68ee<\/span><\/p>\n

 <\/p>\n

[<\/strong>\u305d\u306e\u4ed6\u306e\u30ea\u30b5\u30fc\u30c1\u30fb\u6d3b\u52d5]<\/strong><\/span><\/p>\n

2012-2014 \u4eac\u90fd\u5e02\u7acb\u82b8\u8853\u5927\u5b66\u53ce\u8535\u30a2\u30f3\u30c7\u30b9\u306e\u67d3\u7e54\u54c1\u306b\u307e\u3064\u308f\u308b\u8abf\u67fb<\/span><\/p>\n

2012-2013 \u9752\u68ee\u5e02\u6240\u8535\u4f5c\u54c1\u3053\u304e\u3093\u30fb\u523a\u3057\u5b50\u306b\u307e\u3064\u308f\u308b\u8abf\u67fb<\/span><\/p>\n

2012-2014 Breaker Project\u306b\u3066\u300ckioku\u624b\u82b8\u9928\u305f\u3093\u3059\u300d\u904b\u55b6<\/span><\/p>\n

2009-2014 \u30b0\u30a2\u30c6\u30de\u30e9\u306e\u7e54\u7269\u6280\u8853\u3092\u307e\u306a\u3076<\/span><\/p>\n

2009 Textile Museum of Canada\u30a4\u30f3\u30bf\u30fc\u30f3\u6240\u8535\u54c1\u7d63\u306e\u7e54\u7269\u306b\u307e\u3064\u308f\u308b\u8abf\u67fb<\/span><\/p>\n

2002-2004 \u97d3\u56fd\u3000\u30bd\u30a6\u30eb\u3078\u7559\u5b66\u3000\u56fd\u7acb\u6c11\u4fd7\u535a\u7269\u9928\u306b\u3066\u97d3\u670d\u5fa9\u5143\u306e\u7e2b\u88fd\u6280\u3092\u307e\u306a\u3076<\/span><\/p>\n

 <\/p>\n

 <\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"page-templates\/full-width.php","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P603dv-j","_links":{"self":[{"href":"http:\/\/hajioh.com\/index.php?rest_route=\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hajioh.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/hajioh.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/hajioh.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/hajioh.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19"}],"version-history":[{"count":81,"href":"http:\/\/hajioh.com\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":2933,"href":"http:\/\/hajioh.com\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions\/2933"}],"wp:attachment":[{"href":"http:\/\/hajioh.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}